Les Amants du Pont-Neuf (1991) and Cinema du Look: Spectacle over Substance?
Could it be that Leos Carax was trying to prove Raphaël Bassan wrong after Bassan classified him a “director of the look”?
The films of Luc Besson (Hayward & Powrie‚ 2019)
Could it be that Leos Carax was trying to prove Raphaël Bassan wrong after Bassan classified him a “director of the look”?