British cinema is undead: American horror‚ British comedy and generic hybridity in Shaun of the Dead. (Decker‚ 2016)

Using two film case studies, illustrate how films in Britain refract ideas over class, gender, genre, history, violence or landscape

Exploring how class is represented in Edgar Wright’s Shaun of the Dead (2004) and Hot Fuzz (2007), with a focus on some of the hidden or deeper meanings within scenes from these films.